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This review article attempts to address the relationship between the natural, the machine, and the human in German Romanticism through the notion of body. Due to the extension of this European cultural movement, we will shorten our study to two episodes. The first episode corresponds to Early German Romanticism or Frühromantik. The second one is situated in the romantic period called Spätromantik, particularly, in the fantastic literature of E.T.A. Hoffmann. In current philosophy and literature, there are helpful elements to think about the triple relationship indicated above. The hypothesis of the work tries to show how at the heart of German Romanticism some considerations criticize the possibility of the ontological division between body and soul or res cogitans and res extensa presented by Descartes. For this reason, we reconstruct the assumptions that romantics think about nature in the framework of their challenge to the rationalistic natural sciences and their considerations on the mechanism of the time, their idea of Organicism in the Philosophy of Nature (Naturphilosophie), and politics, as well as the idea of automation and machine present in stories and essays. In such assumptions, it can be found how the body is not thought of as a matter separate and ontologically isolated from thought, spirit, or soul. To understand this process, it seems appropriate to recover the representations that exist in German Romanticism of the natural, the human, and the machine. ; El presente trabajo de reflexión intenta abordar la relación que se establece entre lo natural, la máquina y lo humano en el romanticismo alemán, a través de la noción de cuerpo. Debido a la extensión de este movimiento cultural europeo, recortaremos nuestro estudio a dos episodios. El primero corresponde al temprano romanticismo alemán o Frühromantik y el segundo se sitúa en el período romántico denominado Spätromantik, particularmente, en la literatura fantástica de E.T.A. Hoffmann. En la filosofía y/o la literatura de estas corrientes, ...

The present work tries to recognize in the novel Jonathan Strange & Mr. Norrell aspects related to romantic aesthetics. We believe we notice, in this novel about English magic, the legacy and survival of the romantic spirit. The general objective of the essay is to highlight different characteristics of this novel by Susanna Clarke, which refer to the considerations of romanticism. In particular, we are interested in to analyze on the personage of Jonathan Strange, in order to recognize in his figure topics associated with romanticism such as fantasy, imagination, love, passion, etc. Strange's figure seems to show the same epistemological optimism that the Romantics showed in the late Eighteenth Century. The romantic atmosphere, the historical setting and the language used in the dialogues of the novel show that romanticism is not only a historical moment, but a cultural form that is still fascinating in culture.

This paper attempts to reconstruct how the category of aesthetic experience has become central in contemporary aesthetics. Drawing from the contribution of different theorists and philosophers of art we approach the potential and limits of this category, paying attention to both proposals that defend it, and to criticisms that accuse it of having become a new form of ideology. Apparently, the concept of work of art has become obsolete, and the understanding of contemporary art has been channeled through the concept of aesthetic experience. ; El artículo intenta reconstruir de qué modo la experiencia estética se habría convertido en una categoría central de la estética contemporánea. A partir del aporte de distintos teóricos y filósofos del arte, pretendemos acercarnos a las potencialidades y límites de esta categoría, prestando atención tanto a los planteos que la defienden, como también a aquellos que la acusan de constituirse en una nueva forma ideológica. Al parecer, el concepto de obra de arte se ha vuelto obsoleto y la comprensión de los procesos del arte actual se ha canalizado mediante el concepto de experiencia estética.

This essay aims at demonstrating how, in Butler's work, it could be thought that the apprehension of a life is related to the conditions of possibility of the knowledge that make that life legitimate. From this relationship, we aim at approaching the notion of frame as an epistemological problem that implies the consideration of acknowledgement rules as ethical and political. So as to characterize this relationship, we shall contrast the reach of Butler's analysis with Michel Foucault's biopolitical proposal. Besides, we shall try to explain how the concept of frame gives proof of the post-structuralist legacy in Butler's ethical turn. ; Fil: Garnica, Naím. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Catamarca. Facultad de Humanidades; Argentina

El artículo examina de qué modo el concepto de ideología estética dePaul De Man debe ponerse en relación a una lectura política de las categoríasfilosóficas. A los efectos de comprender la ideología estética y sufuncionamiento político intentaremos reconstruir el campo conceptual de lossupuestos que acompañan la lectura de la tradición estética que el crítico belgalleva a cabo. El ensayo intenta establecer que las relaciones conceptuales quese traman en el concepto de ideología se podrían considerar en virtud de larelación entre lenguaje y política. ; The article shows how the analysis of Paul De Man's concept of aesthetic ideology must be put into relation with a political reading of the philosophical categories. In order to understand the aesthetic ideology and how it works politically, we reconstruct the field of concepts that work as assumptions in the aesthetic tradition, as carried out by the Belgian critic. The article tries to establish that the relations organized in the concept of ideology could be considered by virtue of the relation between language and politics. ; Fil: Garnica, Naím. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Catamarca. Facultad de Humanidades; Argentina

This essay aims at demonstrating how, in Butler's work, it could be thought that the apprehension of a life is related to the conditions of possibility of the knowledge that make that life legitimate. From this relationship, we aim at approaching the notion of frame as an epistemological problem that implies the consideration of acknowledgement rules as ethical and political. So as to characterize this relationship, we shall contrast the reach of Butler's analysis with Michel Foucault's biopolitical proposal. Besides, we shall try to explain how the concept of frame gives proof of the post-structuralist legacy in Butler's ethical turn. ; El ensayo intenta mostrar de qué modo, en la obra de Butler, se podría pensar que la aprehensión de una vida está ligada a las condiciones de posibilidad del conocimiento que la legitiman. A partir de esa relación, procuramos abordar la noción de marco como una problemática epistemológica que implica considerar a las normas de reconocimientos como éticas y políticas. A los efectos de delimitar esta relación, contrastaremos los alcances del análisis butleriano con la propuesta biopolítica de Michel Foucault. Además, pretendemos explicar cómo el concepto de marco evidencia el legado posestructuralista en el giro ético de Butler.

El trabajo aborda la noción de sujeto melancólico expuesto en la obra Judith Butler, y cómo este sujeto opera en la construcción de género y la ciudadanía política necesarias para pensar la vulnerabilidad y el cuidado. La reflexión de Butler realiza un desplazamiento ético luego de los hechos del 9/11, y su tarea en las últimas obras se encargan de analizar la vulnerabilidad diferenciada existente en la sociedad, donde se reconocen qué cuerpos pueden ser habitados y cuáles no, qué vidas merecen ser lloradas y cuáles deben ser clausuradas. Recuperar esos planteos, permite alumbrar el problema de la melancolía de género, y entender de qué modo la violencia del Estado maximiza la vulnerabilidad de las vidas no legitimadas en las convenciones del sujeto político. A su vez, nos interroga sobre los límites del cuidado y la protección en la sociedad actual. ; The paper addresses the notion of melancholy subject exposed in Judith Butler's work, and how this subjet operates in the construction of gender and political citizenship necessary to think about the vulnerability and care. Butler's reflection makes an ethical shift after the events of 9/11, and its work in the past works are responsible for analyzing the differential vulnerability exists in society, which are recognized bodies which can be inhabited and which are not, what lives deserve to be mourned and which should be closed. Recovering these planteos allows illuminate the problem of gender melancholy, and understand how state violence maximizes the vulnerability of lives not entitled to the conventions of the political subject. In turn, questions us about the limits of care and protection in today's society. ; Fil: Gramajo, Nair. Universidad Nacional de Catamarca. Facultad de Humanidades; Argentina ; Fil: Garnica, Naím. Universidad Nacional de Catamarca. Facultad de Humanidades; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina